Built in Roman times but modified greatly since, this small church is remarkable for its curiously asymmetric layout and for the Renaissance pietra serena decor of the 2C altar on the left, which was probably the work of Desiderius da Settignano.

Set up in the homonymic 15C palace, this museum unites works of art and works traditional to the Upper Valley of the Tiber : Gothic and roman architectural items, fresco fragments and furniture and paintings from the 15 and 16C. But the pièce de r,si..